Gilbert Holmströms Kvintett – Utan Misstankar (Megafon, 1965; Moserobie, 2010)
Personnel:
Gilbert Holmström: tenor saxophone
Arne Larsson: cornet
Gilbert Holmström: tenor saxophone
Arne Larsson: cornet
Hans Löfman: bass
Clas Fehling: piano
Anders Söderling: drums
Åke Johansson: piano (on "Novotec")
Åke Johansson: piano (on "Novotec")
Sven Hessle: bass (on "Novotec")
Tracklisting:
01 - Kontrast
02 - Ballad för Max
03 - Modul
04 - Resan till Hellas
05 - Ruby my dear
06 - Tryck på alla knappar
07 - Dissapointment
08 - Novotec
As his first re-release Jonas Kullhammar’s Moserobie choses one of the best Swedish jazz records from the 60s: the Gothenburger Gilbert Holmstrom’s “Utan Misstankar” (“Without Suspicions”), which before cost a pretty penny to lay a hold on and only can be found as an original LP from 1965. It is a fantastic balance of melodic and freer jazz, the latter having just started to form through the work of American musicians such as Albert Ayler, Archie Shepp and John Coltrane.
One of the things I associate best with “Utan Misstankar” is its immense drive. Musicians are so strongly bound and constantly strive forward with an equal amount of curiosity and desire. Holmström’s solo in “Modul” is incredibly forward-looking when he spins up the notes in swirls with one note cutting through the others’ fairly soft sound mass. Arne Larsson fills in with his cornet with a warm glowing sound. Improvising at the same time was generally quite unusual at the time. Only a few years earlier John Tchicai, Archie Shepp and Don Cherry of the New York Contemporary Five had waited obediently for each other to finish.
The aforementioned drive is a lot thanks to drummer Anders Soderling, bass player Hans Löfman and pianist Clas Fehling. They play with honour! [Sound of Music]
[PLEASE BUY IT HERE]
Or find it in comments.
Tracklisting:
01 - Kontrast
02 - Ballad för Max
03 - Modul
04 - Resan till Hellas
05 - Ruby my dear
06 - Tryck på alla knappar
07 - Dissapointment
08 - Novotec
As his first re-release Jonas Kullhammar’s Moserobie choses one of the best Swedish jazz records from the 60s: the Gothenburger Gilbert Holmstrom’s “Utan Misstankar” (“Without Suspicions”), which before cost a pretty penny to lay a hold on and only can be found as an original LP from 1965. It is a fantastic balance of melodic and freer jazz, the latter having just started to form through the work of American musicians such as Albert Ayler, Archie Shepp and John Coltrane.
One of the things I associate best with “Utan Misstankar” is its immense drive. Musicians are so strongly bound and constantly strive forward with an equal amount of curiosity and desire. Holmström’s solo in “Modul” is incredibly forward-looking when he spins up the notes in swirls with one note cutting through the others’ fairly soft sound mass. Arne Larsson fills in with his cornet with a warm glowing sound. Improvising at the same time was generally quite unusual at the time. Only a few years earlier John Tchicai, Archie Shepp and Don Cherry of the New York Contemporary Five had waited obediently for each other to finish.
The aforementioned drive is a lot thanks to drummer Anders Soderling, bass player Hans Löfman and pianist Clas Fehling. They play with honour! [Sound of Music]
[PLEASE BUY IT HERE]
Or find it in comments.
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ОтветитьУдалитьSorry guys, label owner asked me to remove links! But u should buy this record anyway!
ОтветитьУдалитьSorry guys, label owner asked me to remove links! But u should buy this record anyway!
ОтветитьУдалить