суббота, 29 ноября 2014 г.

Gilbert Holmström New Quintet - Tiden Är Kort (2013)

Gilbert Holmström New Quintet - Tiden Är Kort (Moserobie, 2013)

Gilbert Holmström: tenor saxophone
Jonas Kullhammar: stritch, tenor, baritone & bass saxophone
Magnus Broo: trumpet
Torbjörn Zetterberg: double bass
Jonas Holgersson: drums

01 - 1976
02 - Osaka
03 - Desert Walk
04 - Libero
05 - Stars Fading Blue
06 - Dog Fight
07 - Indian Chant
08 - Tiden Är Kort

Holmström, now 77 years old, is part of the Nordic jazz legacy in its various incarnations. A Charlie Parker concert at Gothenburg's Concert Hall in 1950 left a lasting impression on him and convinced him to choose a musical career over dentistry. Gilbert Holmström led his own quintet in the sixties inspired by the American free jazz of Ornette Coleman, Albert Ayler and Archie Shepp, and in the seventies his quintet— now called Mount Everest—alternated between fusion and expressive, acoustic jazz, later spiced with Latin elements. Since the mid- eighties his musical activities focused around the Jazzgalleriet in Gothenburg, his hometown, where exhibitions and concerts were organized.

Moserbie—Kullhammar's label—reissued in 2011 the classic album of Holmström quintet from 1965, Utan Misstankar (Without Suspicion), still considered one of the best Swedish jazz albums of all times. Recording Tiden Är Kort (Time is short) with a new quintet is a natural conclusion of the successful reissue. Holmstrom wrote all the compositions except the title piece, taken from the old Christian song.

Holmstrom is backed by Kullhammar and Kullhammar Quartet rhythm section—double bassist Torbjorn Zetterberg and drummer Jonas Holgersson plus the brilliant trumpeter Magnus Broo, a member of the Swedish- Norwegian quintet Atomic. This quintet enjoys supporting the articulate and commanding solos of Holmström, gently repeating and expanding his musical ideas almost like a choir, all locked in light swinging pulse. The emotional ballads "Osaka" and "Stars fading blue" highlight Holmstrom's soft and velvety tenor voice while "Desert Walk" and "Indian chant" emphasizes the tight and supportive interplay with Kullhammar and Broo, all three soaring above the hypnotic, propulsive rhythms laid by Zetterberg and Holgersson. The smoking, be-bop "Dog fight" offers Holmström opportunity to trade fast, muscular solos with Kullhammar and Broo. This heartfelt tribute to a great musical figure is concluded with a soulful ballad that injects a soft swinging pulse to an ancient hymn. [Allaboutjazz]


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четверг, 13 ноября 2014 г.

Torbjörn Zetterberg - Och Den Stora Frågan (2014)

Torbjörn Zetterberg - Och Den Stora Frågan (Moserobie, 2014)
Torbjörn Zetterberg: double bass, percussion
Susana Santos Silva: trumpet, flugelhorn, percussion;
Mats Äleklint: trombone, percussion;
Jonas Kullhammar: tenor & baritone saxophones, clarinet, flute, percussion;
Alberto Pinton: baritone saxophone, clarinet, flute, piccolo flute, percussion;
Jon Fält: drums, percussion

01 - En Bra Start På Dagen
02 - Världen Är Sig Aldrig Lik
03 - Mästare av Vad
04 - Ingen Tid Till Ingenting
06 - Hyllning Till Ovissheten
07 - 1+1=1
08 - Visa Från Mitten av Universum

Swedish double bassist Torbjorn Zetterberg did not record as a bandleader for more than seven years. Zetterberg, a member of the Jonas Kullhammar Quartet and a prominent figure in Nordic jazz since the late nineties, experienced an existential crisis at the peak of his busy, successful career. He felt bored and unsatisfied, so in 2010 he decided to leave city life and moved to a Buddhist temple without his instrument. He stayed at the temple for a year and still spends half of his time there.

Och Den Stora Fragan ("And the Big Question" in Swedish) is a welcome return. Zetterberg employs musicians who played with him before, most of them on his last album as a bandleader, Skildrar Kvinnans Kamp (Moserobie, 2008). He adds Portuguese trumpeter Susana Santos Silva, who collaborated with him on a set of impressive improvised dialogues, Almost Tomorrow (Clean Feed, 2013) and drummer Jon Falt, a member of pianist Bobo Stenson's trio.

Zetterberg states that he now feels more and more that he actually lives his dream, as he should have since the beginning of his career. Indeed Och Den Stora Fragan is charged with joyful urgency, shiny optimism and confident flowing energy, despite the doubts and uncertainties that accompany any creative, artistic process. His tight arrangements with the swift shifts in rhythm and colors bring to mind the great bands of Charles Mingus. All these qualities are immediately summarized in the opening, 30-second piece "En Bra Start Pa Dagen."

Other pieces highlight Zetterberg as a resourceful and thoughtful composer, with a gift for sketching an evocative, even exotic story, as on "Varlden Ar Sig Aldrig Lik" and "Visa Fran Mitten av Universum." The powerful reed section—Santos, trombonist Mats Aleklint and sax players Kullhammar and Alberto Pinton—produce myriad colors. Zetterberg uses the same strong, opinionated musicians to question basic composition on the open-form piece,"Mastare av Vad."

"Ingen Tid Till Ingenting" is a concise, muscular and fast post-bop piece that stresses the ensemble as a tight, massive unit. "DO-DODO- DO-DO-DO" and "1+1=1" continue in the same vein featuring brilliant, passionate solos. The clarinets of Kullhammar and Pinton add a fragile, gentle colors to the lyrical,"Hyllning Till Ovissheten," that also features a beautiful solo by Zetterberg.

Brilliant, profound and inspiring. [Allaboutjazz]


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