понедельник, 21 марта 2011 г.

Nate Wooley Quintet - (Put Your) Hands Together (2011)

Nate Wooley Quintet - (Put Your) Hands Together (Cleen Feed, 2011)

Personnel:
Nate Wooley - trumpet
Josh Sinton - bass clarinet
Matt Moran - vibraphone
Eivind Opsvik - double bass
Harris Eisenstadt - drums


Tracklisting:
01. Shanda Lea 1 (3:33)
02. Hands Together (9:49)
03. Erna (4:06)
04. Shanda Lea 2(2:58)
05. Ethyl (5:20)
06. Cecelia (9:05)
07. Pearl (2:16)
08. Elsa (5:51)
09. Hazel (3:45)
10. Shanda Lea 3(4:01)


For the first time in many years, Nate Wooley releases an album with composed music, with an actual band, and with music that is more accessible than any of the records made under his leadership. The band is Josh Stinton on bass clarinet, Matt Moran on vibes, Eivind Opsvik on bass and Harris Eisenstadt on drums .... indeed the musicians who play regularly together in each other's bands and with equal success.

In stark contrast of some of his previous albums, Wooley's trumpet tone is voiced, deeply sensitive but within the same phrase he can switch it into screeching whispers. The compositions integrate jazz history, but then in a reverend and playful way, gently giving new dynamics and dimensions to the familiar forms, lifting them up, dusting them off, refreshing them with new power and creative angles.

The end result is a carefully crafted, fun album, with moments of playfulness ("Elsa"), deep sentiments ("Hazel"), compositional complexity ("Ethyl") or all in one ("Hands Together"). The most beautiful piece is "Shanda Lea" (Wooley's wife?), opening the album with solo trumpet, repeated halfway the record in duet with Stinton, then again as solo trumpet to end the album. On tracks like "Erna" you can hear the warm voice of Ron Miles seep through, but unlike Miles, Wooley adds some odd raw edges and in doing so also more depth in the delivery.

In short, a heart-warming and inventive album, show-casing a fantastic musician and an artist in full development. No need to praise the rest of the band: you know them already: they're among the best you can get these days, and to Wooley's credit, he leaves them lots of space. [Free Jazz]

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