John Stevens - Fast Colour: Antwerp 1988 (1988, 2004)

John Stevens - Fast Colour: Antwerp 1988 (Loose Torque, 1988, 2004)

Personnel:
John Stevens: drums/leader
Harry Beckett: trumpet
Evan Parker: tenor saxophone
Dudu Pukwana: alto/soprano saxophones
Nick Stephens: double bass

Annie Whitehead: trombone/vocals

Pinise Saul: vocals

Tracklisting:
01 - Now Time

02 - Way It Goes

03 - John Dyani’s Gone

04 - Mbizo

05 - Way It Goes/Now Time

Great stuff came out, on an August evening in 1988, by this septet including Pinise Saul (voice), Dudu Pukwana (alto and soprano saxes), Evan Parker (tenor sax), Harry Beckett (trumpet), Annie Whitehead (trombone, voice), Nick Stephens (double bass) and John Stevens (drums). Subtitled “Suite for Johnny Mbizo Dyani”, this concert is a mixture of invocations, African rhythms and chants and, in general, musical artistry of the finest class that leaves pretty dumbstruck for its intense spirituality. Great cohesion is to be found between Stevens and Stephens, truly the septet’s heart in their incessant four-legged run through the core of a primary instinct which animates the whole album. Parker and Pukwana foster a slender feeling of liberation via ceaseless reciprocities and invasions of forbidden territories, which they visit with nonchalant studiousness corroborated by a high degree of passion. Beckett’s trumpet is featured in a stubborn solo in “Johnny Dyani’s gone”, but he also performs beautifully as a team mate in literate decodings of certain aspects of free jazz. The lyrics are sung with ardent animosity by Whitehead and Saul, who inject their interventions with determination and fortitude in a square-shouldered effort to pay homage not only to their late friend, but seemingly to a whole current of artists whose fate was sealed before they could even have a chance to show their greatness to wider audiences. Thanks to this archival material, Loose Torque is affirming itself as one of the labels most enthusiastically interested in keeping an important slice of English jazz’s pie still preserved and palatable. [Touching Extremes Archives]

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John Stevens' Away - At Home (2013)

John Stevens' Away - At Home (Loose Torque, 2013)

Personnel:
John Stevens: drums
Robert Calvert: saxophones
Jon Corbett: trumpet
Nick Stephens: electric bass
Nigel Moyse: guitar
Martin Holder: guitar

Tracklisting:
01 - Openersanni
02 - Just a Matter of Time
03 - Relative Space
04 - Whoops a Daisy
05 - Homewhats That

A funk and soul music binge undertaken by John Stevens when he was laid up after surgery was the impetus for the group Away. Though it remains dwarfed next to Stevens’ accomplishments with the Spontaneous Music Ensemble, Away was the drumming giant’s unique way of tapping into the jazz-rock craze of the mid and late 1970s. Away released several albums on the Vertigo label in that time period, and recordings have been sporadically released in the years and decades since, but for the most part, much of the group’s output has been largely unavailable, existing only as assorted notations in the mind-boggling John Stevens discography. Over the past few years, however, Away bassist Nick Stephens has taken to releasing some vintage recordings on his own Loose Torque label, and it’s a wonderful thing. You see, Away was a group that made most fusion bands sound like mere fission.

Away at Home was recorded in 1978 at the Plough Stockwell, a frequent haunt of the band. For this gig, Jon Corbett joined the group, creating a formable funk-jazz sextet of sax, trumpet, drums, bass, and dueling electric guitars. While there’s no question this ensemble was wading into the same waters as Miles Davis, Weather Report, and others across the pond, there’s an energy continually present on Away at Home that seems sorely lacking from a lot of American electric jazz. Away at Home presents an unsubtle, driving music that both embraces the intoxicating headspace of a tightly locked groove and captures the intensity of the classic free jazz free-for-all. Away feared no tempo or crescendo.

Away at Home features four long tracks (and a short fifth piece), most of which are extended mash-ups of tunes from Away’s Vertigo LPs. “Relative Space” makes its mark with an unbearably catchy descending horn line, the track rocketing along until it eventually segues into the  funky, cymbal-driven beat of “What’s That.” The beat is reprised much later at the end of the band’s set, sending the audience through the roof. It’s a perfect encapsulation of what made Away more remarkable than so many of their contemporaries: a small club exuberance that always trumps the bloated, arena-rock detachment that would become fusion’s downfall.

Away at Home is piece of jazz-rock history worth grabbing on to, especially when there’s currently so little from this group to go around. It’s also a side to John Stevens that some of his fans might not be aware of, and a great reminder of what a tireless, passionate force he was in all realms of this music. [Free Jazz Blog]

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