Faruq Z. Bey with Northwoods Improvisers - Rwanda (Qbico, 2005)
Personnel:
Faruq Z. Bey: tenor sax, alto sax, Zola Phone
Mike Carey: flute, bass clarinet
Skeeter Shelton: tenor sax
Mike Gilmore: vibes, marimba, dhumbeks, bone guitar
Mike Johnston: bass, shenai, percussion
Nick Ashton: drums
Tracklisting:
1. Rwanda (Johnston)
2. Mamaka II (Bey)
Faruq Z. Bey: tenor sax, alto sax, Zola Phone
Mike Carey: flute, bass clarinet
Skeeter Shelton: tenor sax
Mike Gilmore: vibes, marimba, dhumbeks, bone guitar
Mike Johnston: bass, shenai, percussion
Nick Ashton: drums
Tracklisting:
1. Rwanda (Johnston)
2. Mamaka II (Bey)
3. Himalayan Footpath (Gilmore)
4. Gogisci [Smoke] (Johnston, Mateen)*
*in CD-version
"There are lions and oribi roaming through the savannah during the opening mystery of this song. Dark birds of prey follow their movements. Mike Gilmore, Nick Ashton and Mike Johnston create a percussive landscape filled with shadow and flashes of light. The flutes of Faruq Z. Bey and Mike Carey begin the journey like winds over the tall grasses and rolling hills, heading toward the volatile waters of Lake Kivu. When the bass of Johnston thunders into being, you are moving across the surface of the lake, feeling each crest and trough of the blue-black waves of Kivu. The flutes are now calling the barefoot fishermen to dance, dreaming of barbel, catfish and tilapia. The Tenor Sax of Bey first, and then Skeeter Shelton, pull you into two worlds: you’re still on that deep and dangerous African lake, but at the same time, you are now viewing the streets of Detroit from the backseat of a slow-moving Buick. It’s late summer and the windows are rolled down. The tires hiss and the streetlights flash across your face. Gilmore’s marimba solo brings you back to that Rwandan plain. Though now you are the lion, stalking the oribi. The saxes come back in, this time with Carey joining the drive and leading the expedition. Finally, your are returned to the opening mystery. The bass and percussion dissolve the water and land into ethereal winds, and those dark raptors rise in widening circles until they disappear into the silence".
"Gorgeous, earthy, unhurried Mother Africa jazz here, deep and dark, mysterious yet reassuring. Sax/flute master Bey leads a superb group of like-minded story-tellers; together they bring forth a kind of ancient knowledge I can’t begin to understand. Long journeys unfold before us… our guides are bass, drums, saxes, flutes, bass clarinet, and vibraphone/marimba. Along the way we meet shenhai, zola phone, and bone guitar. Night comes in and spirits visit and we are at peace" Max Level (KFJC Radio)
"enter Faruq... through my old friend Mike Johnston who used to bid and win in my old jazz auctions... another pillar of qbico records and a unique voice. love their music (such a warm and African sound), their compositions (never get tired of hearing them), their artworks (Mike ltd hand-made covers are among the best on qbico). i finally met Faruq (and of course Mike and the rest of the band) in Detroit for the unite, no words, just shake hands AND looks... Mike told me some deep stories about him from the 60's... a kind of legendary figure, especially in the Detroit area.. in fact they played mostly there for a long time, but fortunatly recently they played Issue Project Room in NYC, thanks to an invitation from my friend Lawrence. Faruq got some health problems, that's why they can't move much... anyway, i did three rockets by Faruq (plus one-sided by the Northwoods), so i really hope the message'll be spread loud and clear, beyond Det." [qbico]
Poll Winners of 2005 honorable mention WEMU Radio.
Out of print!!!
Find link in comments!
*in CD-version
"There are lions and oribi roaming through the savannah during the opening mystery of this song. Dark birds of prey follow their movements. Mike Gilmore, Nick Ashton and Mike Johnston create a percussive landscape filled with shadow and flashes of light. The flutes of Faruq Z. Bey and Mike Carey begin the journey like winds over the tall grasses and rolling hills, heading toward the volatile waters of Lake Kivu. When the bass of Johnston thunders into being, you are moving across the surface of the lake, feeling each crest and trough of the blue-black waves of Kivu. The flutes are now calling the barefoot fishermen to dance, dreaming of barbel, catfish and tilapia. The Tenor Sax of Bey first, and then Skeeter Shelton, pull you into two worlds: you’re still on that deep and dangerous African lake, but at the same time, you are now viewing the streets of Detroit from the backseat of a slow-moving Buick. It’s late summer and the windows are rolled down. The tires hiss and the streetlights flash across your face. Gilmore’s marimba solo brings you back to that Rwandan plain. Though now you are the lion, stalking the oribi. The saxes come back in, this time with Carey joining the drive and leading the expedition. Finally, your are returned to the opening mystery. The bass and percussion dissolve the water and land into ethereal winds, and those dark raptors rise in widening circles until they disappear into the silence".
"Gorgeous, earthy, unhurried Mother Africa jazz here, deep and dark, mysterious yet reassuring. Sax/flute master Bey leads a superb group of like-minded story-tellers; together they bring forth a kind of ancient knowledge I can’t begin to understand. Long journeys unfold before us… our guides are bass, drums, saxes, flutes, bass clarinet, and vibraphone/marimba. Along the way we meet shenhai, zola phone, and bone guitar. Night comes in and spirits visit and we are at peace" Max Level (KFJC Radio)
"enter Faruq... through my old friend Mike Johnston who used to bid and win in my old jazz auctions... another pillar of qbico records and a unique voice. love their music (such a warm and African sound), their compositions (never get tired of hearing them), their artworks (Mike ltd hand-made covers are among the best on qbico). i finally met Faruq (and of course Mike and the rest of the band) in Detroit for the unite, no words, just shake hands AND looks... Mike told me some deep stories about him from the 60's... a kind of legendary figure, especially in the Detroit area.. in fact they played mostly there for a long time, but fortunatly recently they played Issue Project Room in NYC, thanks to an invitation from my friend Lawrence. Faruq got some health problems, that's why they can't move much... anyway, i did three rockets by Faruq (plus one-sided by the Northwoods), so i really hope the message'll be spread loud and clear, beyond Det." [qbico]
Poll Winners of 2005 honorable mention WEMU Radio.
Out of print!!!
Find link in comments!
